This is the ninth episode of "Haven", an original series written by me. I hope you enjoy reading it! If you have any feedback, positive or critical, please post it here, thank you 
Haven Episode 1.9 9. Life After
Written and Produced by Alex Hart
Edited by Lex
Special thanks to Heather
Disclaimer: The series “Haven”, its characters, locations and ideas are all creations belonging to Alex Hart. The work is fictional and meant for entertainment purposes only. No unauthorised usage of anything in “Haven” is permitted without prior permission, thank you.
TEASER
OPEN ON:
INT. BEDROOM - DAY
“Fill My Little World” by The Feeling plays. The camera slowly zooms away from a close-up of a clock-radio on a bedside table. The time displayed is blurred by a glass of water next to it.
The song suddenly comes to life. The camera moves over to an IV tube, water dripping down it slowly.
An elderly woman’s face comes into view. She is bald and frail. The camera moves round to show that she is in bed. A boy of about 12 with dark brown hair is stood next to the bed.
‘I had a dream we went away,
Left this city for a day,
You took me southwards on a plane,
And showed me Spain or somewhere’
The boy’s young face is stained with tears. The old woman smiles at him sadly and nods, placing her hand over his own. The boy’s lip quivers as he steps towards the IV.
‘But in reality you’re
Not so keen to show me anything,
And I thought you liked me’
The boy slowly injects a syringe of something into the IV tube. The old woman looks peaceful as she continues to smile kindly at the boy who stares at her unhappily. She closes her eyes.
‘Hey show some love,
You aint so tough,
Come fill my little world,
Right up,
Right up’
The boy raises his eyebrows slightly and looks at the woman’s hand. He clutches it in her own but she no longer clasps back. The camera pans away from the scene slowly.
‘Someday you’re going to realise.
I want you to fill my little world,
Right up,
Right up,
Right up’
FADE TO: GREY
FADE TO:
INT. BEDROOM, HAVEN
Josef is lying in the bed, staring into space, his naked shoulders visible above the covers. A woman’s hand appears on his chest. The woman comes into view: it’s Bethany. She lies her head next to Josef’s, her chin on his shoulder; she narrows her brow as she stares at the side of his face.
Bethany: Where’d you go?
Josef turns his head slightly to look at her, narrowing his brow also.
Josef: What?
Bethany raises her eyebrows.
Bethany: Something tells me you weren’t really around this time.
Josef smiles attempting to shrug off Bethany’s question.
Josef: I’m here.
Bethany: Physically?
She glances down at his waist.
Bethany: I noticed. You were rockin’ my world.
She smiles slightly, rubbing his left nipple with her fingers. The corner of Josef’s mouth makes a slight smile. Bethany notices, her own smile fading.
Bethany: I’m not so sure I was rockin’ yours though.
Josef sighs, turning his head away from Bethany.
Josef: It’s not you Beth.
Bethany: No? Then how come you’d rather look at the bedside lamp than me.
Josef turns back. Bethany tries to look sympathetic.
Bethany: Is it the drugs thing? Cause you know you can’t feel too sorry for yourself about that what with all the almost-death and stuff-
Josef: No. Look that’s not the best thing that could’ve happened to me but...I’m over it.
Bethany considers this.
Bethany: Then what are you not over?
Josef hesitates looking serious. He makes eye contact with Bethany.
CUT TO:
INT. JULIET’S OFFICE, HAVEN
Gael and Grace are sat before Juliet’s desk, where she is sat, looking subdued. Liliana is stood next to Juliet smiling in her professional way. Grace and Gael look taken-a-back. Grace opens her mouth, looking from Juliet to Liliana.
Grace: The kitchen...is what I do, what makes you think I’ll be any better anywhere else?
Liliana attempts a more pleasant style.
Liliana: The Board are concerned with the amount of...fraternizing during working hours. I’m sure you’re aware of the result problems with illicit substances; only the latest in a series of events that have been allowed to escalate and which could have cost lives.
Grace and Gael both look unyielding in their understanding of the situation. Juliet avoids their eye contact. Liliana swallows and continues, stepping forward.
Liliana: Now, your individual capabilities are not under discussion. I’m more than convinced, Grace, that you are an essential asset to the running of this hotel. However the relationship between the two of you...
Gael glances away looking angry. Grace rolls her eyes.
Liliana: ...may not be in the best interests for Haven, overall. Of course, spending some of your working hours in the kitchen isn’t out of the question, however we feel the majority of your time should be spent...elsewhere.
Grace says nothing.
Liliana: Equally, The Board and I both feel that it would be beneficial to the expansion of the hotel for there to be two kitchen staff who are able to cook, rather than one.
Grace and Gael both frown as they consider this.
Gael: Expansion?
Juliet sighs.
Juliet: They want to re-open the third lower-corridor.
Gael looks serious. Grace looks surprised.
Grace: And that is a good idea, why?
Juliet sighs looking like she is no happier about this idea than the others. Liliana hesitates.
Liliana: We’re all aware of what happened. However, The Board feels that sufficient measures have been taken-
Gael: Sufficient measures? It was less than a year ago Liliana.
Liliana narrows her eyes, almost unnoticeably.
Liliana: You’re right Gael. Which is why, The Board have made it a priority to make the third lower corridor safe, and habitable once again.
There is a pause. Juliet glances at Liliana.
Juliet: You really think all this is absolutely necessary?
Liliana: If I didn’t, I wouldn’t have rearranged my plans to come here today, would I?
Juliet doesn’t look very upset at Liliana’s sacrifice. Liliana looks around at the others.
Liliana: Fourteen rooms are not enough to accommodate the rapidly increasing amount of guests that are arriving. Relaxed attitudes are not enough at a time where Amethyst’s leaders are growing ever closer to-
The alarm from the lobby begins to sound, a red light flashing in the corner of the ceiling. Grace looks relieved and stands up.
Grace: Thank God for that.
She heads for the door. Gael stands also, staring at Liliana seriously, before walking out also. Liliana looks unphased as she glances at Juliet who is getting up.
Liliana: I hope you understand that my greatest interest is Haven’s security.
Juliet looks annoyed.
Juliet: What I understand is that you have come here to criticize our commitment in maintaining that security when you really no nothing about how Haven works.
Juliet narrows her brow slightly but continues to smile, somewhat amused.
Liliana: I’m intrigued that you would say that Juliet; considering that I helped to build it. Consider that I might just know what I’m doing?
Liliana raises an eyebrow. Juliet looks annoyed and walks away.
CUT TO:
INT. HAVEN LOBBY
The alarm sounds. Tegan is reading the incoming information on her computer. Grace appears around the corner followed by Gael.
Grace: Tell me we have an axe murderer.
Tegan raises an eyebrow, glancing at Grace. She looks back at the monitor smiling slightly.
Tegan: Sorry; gonna have to make do with armed robbery today.
Grace weighs this up.
Grace: That could work.
Gael smiles a little also as Juliet appears and walks behind the desk to read the monitor. Tegan looks at her.
Tegan: Jules you know this means we have twelve full rooms right?
Gael looks at Juliet; she returns his glance but then nods at Grace.
Juliet: We’ll manage.
Tegan cocks her head slightly but shrugs. Devyn enters from the dining area. The others look over at him. He nods and smiles in greeting. Juliet walks around from the other side of the reception desk.
Juliet: Hey. Work ok?
Devyn: Yeah, yeah, just thought I’d take an interest.
Liliana OS: I’m glad to hear that, Devyn.
Liliana walks into view. Grace rolls her eyes, looking away. Devyn smiles awkwardly noticing the friction between everyone and Liliana, who smiles at him pleasantly.
Liliana: It looks as if you’re time here is being well spent.
Juliet folds her arms, looking at the ceiling. Devyn notices but smiles at Liliana nonetheless.
Devyn: What can I say? It’s a good place to...
As he speaks the main door opens. Mark walks in, followed by a blonde woman and Bethany. Devyn cocks his head in disbelief as he sees the woman; it is Molly McKenna, last seen in his arms, years ago. However she looks as if she has faded somehow, despite her expensive-looking cream coloured coat with a fur rim, and stylish black high-heels. She smiles slightly, with tired eyes, but there is no surprise in her expression.
Molly: And here you really are.
Juliet stares from Devyn to Molly, curious about their connection. Devyn stares at Molly, confused and speechless.
CUT TO: BLACK
OPENING CREDITS ROLL
THEMESONG: “Not Gonna Get Us” - Tatu
The eerie start of the song plays as we see grey smoke. “Haven” in black, torn letters fades in. It disappears as the drums start. The smoke is gone also. There are a series of quick shots: a gun being fired. A high-heeled foot stepping next to a pole. A syringe injecting someone’s arm. A knife being raised. A key turning in a lock. Coins scattering on a table. A close up of a woman’s lips as she applies lipstick. A shovel being forced into the ground. A close up of someone handcuffing another person’s wrists. A hand flicking a cigarette lighter on. A pair of pliers approaching someone’s finger. A dagger covered in blood hitting the ground. A hand grabbing on to someone’s arm. A close up of an eye opening wide.
As the song suddenly becomes more energetic, there is a montage of criminal records, each face only seen for a fraction of a second.
The camera zooms towards Juliet looking shocked.
MELISSA GEORGE
The credit flickers on to the screen. There is a shot of Juliet walking with a neutral expression on her face. There is a shot of Juliet pointing a gun looking resolute. There is a shot of Juliet turning her face, looking serious. The credit flickers away.
There is a shot of Juliet, Grace and Tegan running. There is a shot of the illuminated “Summertime General” sign.
There is a shot of Devyn reaching out for something.
JUSTIN THEROUX
The credit flickers on to the screen. There is a shot of Devyn punching someone. There is a shot of him leaning against a wall. There is a shot of him smiling, a little smugly. The credit flickers away.
There is a shot of a little girl with a knife in her hand. There is a shot of a gun being fired into the air.
There is a shot of Tegan typing on a computer.
LEISHA HAILEY
The credit flickers on to the screen. There is a shot of Tegan turning, the flash of sirens causing her to shield her eyes. There is a shot of Tegan putting her hand over mouth. There is a shot of Tegan cocking her head slightly, smiling. The credit flickers away.
A shot of a woman walking down a corridor of Haven, purposefully. A shot of a man and a woman kissing.
There is a shot of Gael holding out a large knife.
CHARLIE HUNNAM
The credit flickers on to the screen. There is a shot of Gael hugging someone. There is a shot of a tear streaming down Gael’s face. There is a shot of Gael laughing. The credit flickers away.
A shot of the main entrance opening. A shot of Mark and Aura turning looking surprised in Summertime General.
There is a shot of Grace carrying a plate of food.
SANDRA OH
The credit flickers on to the screen. There is a shot of Grace putting her head in her hands. A shot of her putting her finger over her lips. A shot of her smiling a little. The credit flickers away.
There is a shot of an explosion. A shot of Grace crying in Gael’s arms.
There is a shot of Aura sat at one of the tables in Haven’s kitchen.
DANA DAVIS
The credit flickers on to the screen. There is a shot of Aura turning looking shocked. A shot of her at the till in Summertime General. A shot of her smiling kindly. The credit flickers away.
There is a shot of a hand being placed on the identification pad. A shot of Bethany kissing someone.
There is a shot of Mark walking down the first lower corridor.
RYAN CARNES
The credits flicker on to the screen. There is a shot of Mark looking troubled. A shot of Mark diving out of the way of something. A shot of Mark stroking someone’s hair.
There is a shot of Royce punching someone. A shot of a man moving over a man’s bare stomach.
There is a shot of Jackie sitting in a chair, her index finger on her temple. She looks thoughtful.
STEPHANIE ROMANOV
The credit flickers on to the screen. There is a shot of Jackie turning, looking out of breath. A shot of her walking looking formidable. A shot of her examining a gun. The credit flickers away.
There is a shot of a corridor in Haven. The camera zooms through to the lobby, spinning around, backing through the front entrance. The doors close.
CUT TO: BLACK
Guest Starring:
KELLY CARLSON – Alandra Stone
KEITH CARRADINE – Jackie’s Boss
JOSH DUHAMEL – Dominic Healy
FAMKE JANSSEN – Liliana Redgrave
ALI LARTER – Molly McKenna
MARY McDONNELL - Ms. Alders
JASON MOMOA – Josef Porter
AMANDA SEYFRIED – Bethany Thyme

Haven Episode 1.9 9. Life After
Written and Produced by Alex Hart
Edited by Lex
Special thanks to Heather
Disclaimer: The series “Haven”, its characters, locations and ideas are all creations belonging to Alex Hart. The work is fictional and meant for entertainment purposes only. No unauthorised usage of anything in “Haven” is permitted without prior permission, thank you.
TEASER
OPEN ON:
INT. BEDROOM - DAY
“Fill My Little World” by The Feeling plays. The camera slowly zooms away from a close-up of a clock-radio on a bedside table. The time displayed is blurred by a glass of water next to it.
The song suddenly comes to life. The camera moves over to an IV tube, water dripping down it slowly.
An elderly woman’s face comes into view. She is bald and frail. The camera moves round to show that she is in bed. A boy of about 12 with dark brown hair is stood next to the bed.
‘I had a dream we went away,
Left this city for a day,
You took me southwards on a plane,
And showed me Spain or somewhere’
The boy’s young face is stained with tears. The old woman smiles at him sadly and nods, placing her hand over his own. The boy’s lip quivers as he steps towards the IV.
‘But in reality you’re
Not so keen to show me anything,
And I thought you liked me’
The boy slowly injects a syringe of something into the IV tube. The old woman looks peaceful as she continues to smile kindly at the boy who stares at her unhappily. She closes her eyes.
‘Hey show some love,
You aint so tough,
Come fill my little world,
Right up,
Right up’
The boy raises his eyebrows slightly and looks at the woman’s hand. He clutches it in her own but she no longer clasps back. The camera pans away from the scene slowly.
‘Someday you’re going to realise.
I want you to fill my little world,
Right up,
Right up,
Right up’
FADE TO: GREY
FADE TO:
INT. BEDROOM, HAVEN
Josef is lying in the bed, staring into space, his naked shoulders visible above the covers. A woman’s hand appears on his chest. The woman comes into view: it’s Bethany. She lies her head next to Josef’s, her chin on his shoulder; she narrows her brow as she stares at the side of his face.
Bethany: Where’d you go?
Josef turns his head slightly to look at her, narrowing his brow also.
Josef: What?
Bethany raises her eyebrows.
Bethany: Something tells me you weren’t really around this time.
Josef smiles attempting to shrug off Bethany’s question.
Josef: I’m here.
Bethany: Physically?
She glances down at his waist.
Bethany: I noticed. You were rockin’ my world.
She smiles slightly, rubbing his left nipple with her fingers. The corner of Josef’s mouth makes a slight smile. Bethany notices, her own smile fading.
Bethany: I’m not so sure I was rockin’ yours though.
Josef sighs, turning his head away from Bethany.
Josef: It’s not you Beth.
Bethany: No? Then how come you’d rather look at the bedside lamp than me.
Josef turns back. Bethany tries to look sympathetic.
Bethany: Is it the drugs thing? Cause you know you can’t feel too sorry for yourself about that what with all the almost-death and stuff-
Josef: No. Look that’s not the best thing that could’ve happened to me but...I’m over it.
Bethany considers this.
Bethany: Then what are you not over?
Josef hesitates looking serious. He makes eye contact with Bethany.
CUT TO:
INT. JULIET’S OFFICE, HAVEN
Gael and Grace are sat before Juliet’s desk, where she is sat, looking subdued. Liliana is stood next to Juliet smiling in her professional way. Grace and Gael look taken-a-back. Grace opens her mouth, looking from Juliet to Liliana.
Grace: The kitchen...is what I do, what makes you think I’ll be any better anywhere else?
Liliana attempts a more pleasant style.
Liliana: The Board are concerned with the amount of...fraternizing during working hours. I’m sure you’re aware of the result problems with illicit substances; only the latest in a series of events that have been allowed to escalate and which could have cost lives.
Grace and Gael both look unyielding in their understanding of the situation. Juliet avoids their eye contact. Liliana swallows and continues, stepping forward.
Liliana: Now, your individual capabilities are not under discussion. I’m more than convinced, Grace, that you are an essential asset to the running of this hotel. However the relationship between the two of you...
Gael glances away looking angry. Grace rolls her eyes.
Liliana: ...may not be in the best interests for Haven, overall. Of course, spending some of your working hours in the kitchen isn’t out of the question, however we feel the majority of your time should be spent...elsewhere.
Grace says nothing.
Liliana: Equally, The Board and I both feel that it would be beneficial to the expansion of the hotel for there to be two kitchen staff who are able to cook, rather than one.
Grace and Gael both frown as they consider this.
Gael: Expansion?
Juliet sighs.
Juliet: They want to re-open the third lower-corridor.
Gael looks serious. Grace looks surprised.
Grace: And that is a good idea, why?
Juliet sighs looking like she is no happier about this idea than the others. Liliana hesitates.
Liliana: We’re all aware of what happened. However, The Board feels that sufficient measures have been taken-
Gael: Sufficient measures? It was less than a year ago Liliana.
Liliana narrows her eyes, almost unnoticeably.
Liliana: You’re right Gael. Which is why, The Board have made it a priority to make the third lower corridor safe, and habitable once again.
There is a pause. Juliet glances at Liliana.
Juliet: You really think all this is absolutely necessary?
Liliana: If I didn’t, I wouldn’t have rearranged my plans to come here today, would I?
Juliet doesn’t look very upset at Liliana’s sacrifice. Liliana looks around at the others.
Liliana: Fourteen rooms are not enough to accommodate the rapidly increasing amount of guests that are arriving. Relaxed attitudes are not enough at a time where Amethyst’s leaders are growing ever closer to-
The alarm from the lobby begins to sound, a red light flashing in the corner of the ceiling. Grace looks relieved and stands up.
Grace: Thank God for that.
She heads for the door. Gael stands also, staring at Liliana seriously, before walking out also. Liliana looks unphased as she glances at Juliet who is getting up.
Liliana: I hope you understand that my greatest interest is Haven’s security.
Juliet looks annoyed.
Juliet: What I understand is that you have come here to criticize our commitment in maintaining that security when you really no nothing about how Haven works.
Juliet narrows her brow slightly but continues to smile, somewhat amused.
Liliana: I’m intrigued that you would say that Juliet; considering that I helped to build it. Consider that I might just know what I’m doing?
Liliana raises an eyebrow. Juliet looks annoyed and walks away.
CUT TO:
INT. HAVEN LOBBY
The alarm sounds. Tegan is reading the incoming information on her computer. Grace appears around the corner followed by Gael.
Grace: Tell me we have an axe murderer.
Tegan raises an eyebrow, glancing at Grace. She looks back at the monitor smiling slightly.
Tegan: Sorry; gonna have to make do with armed robbery today.
Grace weighs this up.
Grace: That could work.
Gael smiles a little also as Juliet appears and walks behind the desk to read the monitor. Tegan looks at her.
Tegan: Jules you know this means we have twelve full rooms right?
Gael looks at Juliet; she returns his glance but then nods at Grace.
Juliet: We’ll manage.
Tegan cocks her head slightly but shrugs. Devyn enters from the dining area. The others look over at him. He nods and smiles in greeting. Juliet walks around from the other side of the reception desk.
Juliet: Hey. Work ok?
Devyn: Yeah, yeah, just thought I’d take an interest.
Liliana OS: I’m glad to hear that, Devyn.
Liliana walks into view. Grace rolls her eyes, looking away. Devyn smiles awkwardly noticing the friction between everyone and Liliana, who smiles at him pleasantly.
Liliana: It looks as if you’re time here is being well spent.
Juliet folds her arms, looking at the ceiling. Devyn notices but smiles at Liliana nonetheless.
Devyn: What can I say? It’s a good place to...
As he speaks the main door opens. Mark walks in, followed by a blonde woman and Bethany. Devyn cocks his head in disbelief as he sees the woman; it is Molly McKenna, last seen in his arms, years ago. However she looks as if she has faded somehow, despite her expensive-looking cream coloured coat with a fur rim, and stylish black high-heels. She smiles slightly, with tired eyes, but there is no surprise in her expression.
Molly: And here you really are.
Juliet stares from Devyn to Molly, curious about their connection. Devyn stares at Molly, confused and speechless.
CUT TO: BLACK
OPENING CREDITS ROLL
THEMESONG: “Not Gonna Get Us” - Tatu
The eerie start of the song plays as we see grey smoke. “Haven” in black, torn letters fades in. It disappears as the drums start. The smoke is gone also. There are a series of quick shots: a gun being fired. A high-heeled foot stepping next to a pole. A syringe injecting someone’s arm. A knife being raised. A key turning in a lock. Coins scattering on a table. A close up of a woman’s lips as she applies lipstick. A shovel being forced into the ground. A close up of someone handcuffing another person’s wrists. A hand flicking a cigarette lighter on. A pair of pliers approaching someone’s finger. A dagger covered in blood hitting the ground. A hand grabbing on to someone’s arm. A close up of an eye opening wide.
As the song suddenly becomes more energetic, there is a montage of criminal records, each face only seen for a fraction of a second.
The camera zooms towards Juliet looking shocked.
MELISSA GEORGE
The credit flickers on to the screen. There is a shot of Juliet walking with a neutral expression on her face. There is a shot of Juliet pointing a gun looking resolute. There is a shot of Juliet turning her face, looking serious. The credit flickers away.
There is a shot of Juliet, Grace and Tegan running. There is a shot of the illuminated “Summertime General” sign.
There is a shot of Devyn reaching out for something.
JUSTIN THEROUX
The credit flickers on to the screen. There is a shot of Devyn punching someone. There is a shot of him leaning against a wall. There is a shot of him smiling, a little smugly. The credit flickers away.
There is a shot of a little girl with a knife in her hand. There is a shot of a gun being fired into the air.
There is a shot of Tegan typing on a computer.
LEISHA HAILEY
The credit flickers on to the screen. There is a shot of Tegan turning, the flash of sirens causing her to shield her eyes. There is a shot of Tegan putting her hand over mouth. There is a shot of Tegan cocking her head slightly, smiling. The credit flickers away.
A shot of a woman walking down a corridor of Haven, purposefully. A shot of a man and a woman kissing.
There is a shot of Gael holding out a large knife.
CHARLIE HUNNAM
The credit flickers on to the screen. There is a shot of Gael hugging someone. There is a shot of a tear streaming down Gael’s face. There is a shot of Gael laughing. The credit flickers away.
A shot of the main entrance opening. A shot of Mark and Aura turning looking surprised in Summertime General.
There is a shot of Grace carrying a plate of food.
SANDRA OH
The credit flickers on to the screen. There is a shot of Grace putting her head in her hands. A shot of her putting her finger over her lips. A shot of her smiling a little. The credit flickers away.
There is a shot of an explosion. A shot of Grace crying in Gael’s arms.
There is a shot of Aura sat at one of the tables in Haven’s kitchen.
DANA DAVIS
The credit flickers on to the screen. There is a shot of Aura turning looking shocked. A shot of her at the till in Summertime General. A shot of her smiling kindly. The credit flickers away.
There is a shot of a hand being placed on the identification pad. A shot of Bethany kissing someone.
There is a shot of Mark walking down the first lower corridor.
RYAN CARNES
The credits flicker on to the screen. There is a shot of Mark looking troubled. A shot of Mark diving out of the way of something. A shot of Mark stroking someone’s hair.
There is a shot of Royce punching someone. A shot of a man moving over a man’s bare stomach.
There is a shot of Jackie sitting in a chair, her index finger on her temple. She looks thoughtful.
STEPHANIE ROMANOV
The credit flickers on to the screen. There is a shot of Jackie turning, looking out of breath. A shot of her walking looking formidable. A shot of her examining a gun. The credit flickers away.
There is a shot of a corridor in Haven. The camera zooms through to the lobby, spinning around, backing through the front entrance. The doors close.
CUT TO: BLACK
Guest Starring:
KELLY CARLSON – Alandra Stone
KEITH CARRADINE – Jackie’s Boss
JOSH DUHAMEL – Dominic Healy
FAMKE JANSSEN – Liliana Redgrave
ALI LARTER – Molly McKenna
MARY McDONNELL - Ms. Alders
JASON MOMOA – Josef Porter
AMANDA SEYFRIED – Bethany Thyme
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