There was a thread like this on a LOST Forum that was pretty interesting.
There are moments within episodes where it becomes obvious to the viewer that the characters have been talking amongst themselves. These "off-screen" conversations usually cover a multitude of "writing sins"!
But sometimes it advances the storylines of characters without taking up too much time from the present storyline.
One of my favorite examples is the conversation Buffy and Spike at the end of "Fool for Love". (Please bare with me - yes I love Spike and Spuffy but this thread is for EVERYONE!
)
His very intent is to blow her away, however he ends up sitting with her on the porch and offering the only comfort a Vampire (without a soul *sigh*) could give.
And Buffy tells Spike about her mother's illness and her appointment at the hospital the next day.
So, obviously the scene went beyond the ending we the viewer saw as evidenced in the following episode "Shadow".
This advances our storyline of Buffy not including Riley in her life and he seeking someone who "needs" him - and ultimately their break-up.
So, I wonder if there are other "off-screen" conversations YOU have noticed which 1) advance the storyline or 2) give some unknown character iinsight?
There are moments within episodes where it becomes obvious to the viewer that the characters have been talking amongst themselves. These "off-screen" conversations usually cover a multitude of "writing sins"!

But sometimes it advances the storylines of characters without taking up too much time from the present storyline.
One of my favorite examples is the conversation Buffy and Spike at the end of "Fool for Love". (Please bare with me - yes I love Spike and Spuffy but this thread is for EVERYONE!

His very intent is to blow her away, however he ends up sitting with her on the porch and offering the only comfort a Vampire (without a soul *sigh*) could give.
And Buffy tells Spike about her mother's illness and her appointment at the hospital the next day.
So, obviously the scene went beyond the ending we the viewer saw as evidenced in the following episode "Shadow".
Spike: Hey ... Hey! Hey! Hey!
Riley: Am I dark enough for you now?
Spike: Bloody pull me back in, you sod, I'm starting to sizzle!
Riley: You don't know anything about Buffy, you never did. I'm the one who knows what she needs.
Spike: Oh yeah? That's why you're with her at hospital right now, giving her what she needs.
Riley: (pulls Spike back inside) What are you talking about?
Spike: Don't you know, didn't she tell you?
Riley: You tell me.
Spike: Mum's sickly. Buffy took her to the hospital for a bit of prod 'n probe. Bite-sized one went too. (needling) You know, it's-it's funny her not calling you about that. I've known since last night.
Riley grabs Spike and shoves him outside. Sizzling noises.
Spike: (OS) Blanket! Blanket!
Riley kicks the blanket out and slams the door. He leans against the banister looking conflicted.
Riley: Am I dark enough for you now?
Spike: Bloody pull me back in, you sod, I'm starting to sizzle!
Riley: You don't know anything about Buffy, you never did. I'm the one who knows what she needs.
Spike: Oh yeah? That's why you're with her at hospital right now, giving her what she needs.
Riley: (pulls Spike back inside) What are you talking about?
Spike: Don't you know, didn't she tell you?
Riley: You tell me.
Spike: Mum's sickly. Buffy took her to the hospital for a bit of prod 'n probe. Bite-sized one went too. (needling) You know, it's-it's funny her not calling you about that. I've known since last night.
Riley grabs Spike and shoves him outside. Sizzling noises.
Spike: (OS) Blanket! Blanket!
Riley kicks the blanket out and slams the door. He leans against the banister looking conflicted.
So, I wonder if there are other "off-screen" conversations YOU have noticed which 1) advance the storyline or 2) give some unknown character iinsight?
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