"After the Fall" resumes...
This is probably my favorite issue so far. I love hopeful and romantic Angel, all inspired by teamwork and stuff. I like Spike when he provides the much needed sarcasm.
The fact that Angel had a plan this whole time and made the big rescue little more than a sentimental moment is something I actually liked. It gave him a lot of validation from his allies, a great moment with his son, and a return to heroic status in general.
Connor/Gwen confirmation! Brian Lynch... thank you. I love having been all over that vibe despite you always ignoring my questions about it! And I also like the parallel it creates for father-son bonding because of Angel's curse and Gwen's power. Gwonner rules! Someone make me a banner!
That the loan shark survived is no great surprise, because he's funny. A little disappointed that he has a name, though -- I kinda liked that he might have that whole "tucker's brother" thing that trailed Andrew throughout Season 6 of "Buffy".
I'm very grateful that we actually get a lot of little expository tidbits that had been sort of chinese water torture before -- like some idea who or what Spider is. She is Maria. Spike just met a girl named Maria. Now everywhere he goes... *ahem*. No, it was nice to learn that she's just a uniquely "gifted" person who glommed onto Spike at some point, and not in fact an evil-super-captor (apparently) or force of hand-wringing evil.
I can't say enough positive stuff about the return to the Hyperion. It's symbolically perfect. It's Bruce Wayne announcing he's going to rebuild Wayne Manor brick by brick in "Batman Begins". It's Angel saying "let's go to work" in "Not Fade Away". Having been broken down completely, he can now be rebuilts, and that's the right place, as always, to do it. Nice touch to remember that Spike had never been there, either, and thus had no idea why they were there.
Fredlyria's story is pretty much what most of us thought, but, again, nice to get some expository funk rubbed on it. And having her still so desperately attached to Wesley (in either form) is poignant... although does make a certain cover even more eyebrow-raising.
Another fantastic touch -- Cordy still having her say, as much as she can anyway. Very nice to think of her as being (legitimately) doing the job she was "hired" for in Season 3, and in such a subtle gesture basically letting Wes know all manner of things will be well.
Gunn's plot thickens, and he delightfully reduces himself by one more annoying minion. He reminds me of one of my favorite "Veronica Mars" lines -- "I'm feeling the calculating stare, but where's the villainous hand-wringing and maniacal laugh?" In other words, he is deeply cool precisely because everything seems to be going his way even when it shouldn't be. Makes him inherently badass in the same way that Twilight is.
Couple questions/points of interest -- "Angel the Vampire Slayer! Angel the Vampire Slayer!" Right now, I'm clinging to the idea that that's a tiny bit of fanservice to the folks who expect non-vamp Angel to still be a superbeing of some kind, and not actual foreshadowing. Because, frankly, there *are* a lot of people who would/will jump on that and say "but of course! He'll turn into a guy-Slayer!" -- completely overlooking that the notion of a male Slayer is thunderously concept breaking to the entire Buffyverse mythology.
The question I'd have for Brian would be his use of the word "champions" so diligently to describe the fighters for the demon lords. It was pretty deliberate and repetitive, and left me wondering -- is it an intentional inversion/deconstruction of the Buffyverse's established use of the term to mean Force For Good, Protector Of The Helpless? We got a little of that in Season 5 when Angel admitted to being "tired of that word", and it occurred to me to be so precise with using it in this context, that it was an intentional effort to trivialize that concept in "After the Fall".
This is probably my favorite issue so far. I love hopeful and romantic Angel, all inspired by teamwork and stuff. I like Spike when he provides the much needed sarcasm.
The fact that Angel had a plan this whole time and made the big rescue little more than a sentimental moment is something I actually liked. It gave him a lot of validation from his allies, a great moment with his son, and a return to heroic status in general.
Connor/Gwen confirmation! Brian Lynch... thank you. I love having been all over that vibe despite you always ignoring my questions about it! And I also like the parallel it creates for father-son bonding because of Angel's curse and Gwen's power. Gwonner rules! Someone make me a banner!
That the loan shark survived is no great surprise, because he's funny. A little disappointed that he has a name, though -- I kinda liked that he might have that whole "tucker's brother" thing that trailed Andrew throughout Season 6 of "Buffy".
I'm very grateful that we actually get a lot of little expository tidbits that had been sort of chinese water torture before -- like some idea who or what Spider is. She is Maria. Spike just met a girl named Maria. Now everywhere he goes... *ahem*. No, it was nice to learn that she's just a uniquely "gifted" person who glommed onto Spike at some point, and not in fact an evil-super-captor (apparently) or force of hand-wringing evil.
I can't say enough positive stuff about the return to the Hyperion. It's symbolically perfect. It's Bruce Wayne announcing he's going to rebuild Wayne Manor brick by brick in "Batman Begins". It's Angel saying "let's go to work" in "Not Fade Away". Having been broken down completely, he can now be rebuilts, and that's the right place, as always, to do it. Nice touch to remember that Spike had never been there, either, and thus had no idea why they were there.
Fredlyria's story is pretty much what most of us thought, but, again, nice to get some expository funk rubbed on it. And having her still so desperately attached to Wesley (in either form) is poignant... although does make a certain cover even more eyebrow-raising.
Another fantastic touch -- Cordy still having her say, as much as she can anyway. Very nice to think of her as being (legitimately) doing the job she was "hired" for in Season 3, and in such a subtle gesture basically letting Wes know all manner of things will be well.
Gunn's plot thickens, and he delightfully reduces himself by one more annoying minion. He reminds me of one of my favorite "Veronica Mars" lines -- "I'm feeling the calculating stare, but where's the villainous hand-wringing and maniacal laugh?" In other words, he is deeply cool precisely because everything seems to be going his way even when it shouldn't be. Makes him inherently badass in the same way that Twilight is.
Couple questions/points of interest -- "Angel the Vampire Slayer! Angel the Vampire Slayer!" Right now, I'm clinging to the idea that that's a tiny bit of fanservice to the folks who expect non-vamp Angel to still be a superbeing of some kind, and not actual foreshadowing. Because, frankly, there *are* a lot of people who would/will jump on that and say "but of course! He'll turn into a guy-Slayer!" -- completely overlooking that the notion of a male Slayer is thunderously concept breaking to the entire Buffyverse mythology.
The question I'd have for Brian would be his use of the word "champions" so diligently to describe the fighters for the demon lords. It was pretty deliberate and repetitive, and left me wondering -- is it an intentional inversion/deconstruction of the Buffyverse's established use of the term to mean Force For Good, Protector Of The Helpless? We got a little of that in Season 5 when Angel admitted to being "tired of that word", and it occurred to me to be so precise with using it in this context, that it was an intentional effort to trivialize that concept in "After the Fall".
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